If you didn't realize from my previous posts about Batman's 75th anniversary, I'm a bit of a comic fan. As such I thoroughly enjoyed a six issue comic series called The Escapist which came out in 2006. The story revolved around a golden age era comic hero I hadn't heard about getting a retelling in more modern times. It wasn't until after I read the series that I learned there never was a golden age Escapist, but that the character was created for a book that was published in 2000. That book? "The Amazing Adventures of Kavalier & Clay" by Michael Chabon and it tells the story of two Brooklyn cousins, Jewish immigrants of WWII, who decide to create comics together.
I can safely surmise that this inspires the creation of the Escapist character. How that story develops is what has me intrigued. And the fact it won a Pulitzer Prize as a piece of historical fiction based on a non-existent comic character makes this a book I've been looking forward to reading.
Stay tuned for my verdict...
Following the journey of award winning author, Alex Azar, as he travels the publishing world and all things interesting. To reproduce or publish any material found within this blog, please contact me at azarrising@hotmail.com
Wednesday, May 21, 2014
Tuesday, April 15, 2014
Big News!....
Friday, April 4, 2014
Free Thoughts 4/4/14
Growing up I never really had an issue with pimples. Sure I got the stray bump while going through those awkward teenage years, but it was never so bad as a problem. My skin, aside from the various scars I've acquired from the follies of youth, has always been mostly blemish free.
Why am I telling you this? Perhaps because it's three a.m. Thursday night, or if you prefer early Friday morning. I'm of the belief that it's not the next day until you've gone to sleep and awoke on the other side of the hours past. Although, if that were true with my insomnia I'd be living a year behind everyone (time travel is possible!)
But the other reason I mention my very limited experience with pimples, is that I'm currently sporting two on my forehead greeting my hairline. Granted in a few years my hair will have retreated away from this point on my head. They're small, inconspicuous bumps most people probably can't notice but I sure as hell do.
I'm pretty much hoping they are in fact the result of spider bite for the simple fact that the alternative suggests that stress is the cause. Those who know me well, know I am not one who stresses. Things roll off my back with ease, and I can find the good in almost any situation.
So what is it at this point in my life do I have to stress about? Hopefully just spiders in the bed. Sleep well readers.
Why am I telling you this? Perhaps because it's three a.m. Thursday night, or if you prefer early Friday morning. I'm of the belief that it's not the next day until you've gone to sleep and awoke on the other side of the hours past. Although, if that were true with my insomnia I'd be living a year behind everyone (time travel is possible!)
But the other reason I mention my very limited experience with pimples, is that I'm currently sporting two on my forehead greeting my hairline. Granted in a few years my hair will have retreated away from this point on my head. They're small, inconspicuous bumps most people probably can't notice but I sure as hell do.
I'm pretty much hoping they are in fact the result of spider bite for the simple fact that the alternative suggests that stress is the cause. Those who know me well, know I am not one who stresses. Things roll off my back with ease, and I can find the good in almost any situation.
So what is it at this point in my life do I have to stress about? Hopefully just spiders in the bed. Sleep well readers.
Monday, March 31, 2014
What I'm Reading Now 3/31/14: UPDATED
There's a strange dichotomy within me. I'm very much a fan of Stephen King, however I haven't read many of his novels. My fandom of his exists almost entirely with his short stories, (a large influence of my own style) however there are actually only a handful of his novels that I've already read. Of course my opinion of the bard has been influenced by the plethora of movies/tv specials based on his storied career, but I'm just now making the conscious effort to read the novels based on his legendary works like It, and The Shining.
First up in this effort is Salem's Lot. I'm a little ashamed to admit that not only have I not read this novel, I haven't seen either of the television miniseries based on it. Although, I have read the two short stories that take place within the same world as Salem's Lot but after the events of the novel; Jerusalem's lot and One for the Road.
Going into the novel I only have two established thoughts. First, I like the idea of Stephen King writing a horror story about vampires, especially since he's been quoted on more than one occasion that this is his favorite novel he's written. And second, if the title and nickname of the town is derived from "Jerusalem" aren't we all pronouncing it wrong?
.
.
.
I'll be the first to admit, I'm not the biggest fan of vampires, and the recent hollywood over indulgence of them, has soured me even more. With that said...
This book took me a month to finish all 631 pages, and that was time well spent. Stephen King spent roughly 300 pages building the town, with no real elements of horror but it had a two fold purpose, 1) you got to know the characters and the town around them, and 2) it built suspense forcing you to fear for these people's lives since you know it won't end well for at least some of them.
Although this was only King's second novel, it was crafted to such expert timing that you engaged from the very beginning. The writing is raw and emotional, much more so than the more polished King of recent books (still good in their own rite).
My two recommendations for those interested in reading this book are 1) don't let the fact it's about vampires turn you away, and 2) don't let the impressive page count intimidate you. Pick it up, and just try to put it down with out wanting to know more.
On to the obligatory rating...
Multiple Reads.
It may have taken me longer than it should have to read this book, but I'll be sure to pick it up again when I want that brand of suspense that only Stephen King can supply.
Going into the novel I only have two established thoughts. First, I like the idea of Stephen King writing a horror story about vampires, especially since he's been quoted on more than one occasion that this is his favorite novel he's written. And second, if the title and nickname of the town is derived from "Jerusalem" aren't we all pronouncing it wrong?
.
.
.
I'll be the first to admit, I'm not the biggest fan of vampires, and the recent hollywood over indulgence of them, has soured me even more. With that said...
This book took me a month to finish all 631 pages, and that was time well spent. Stephen King spent roughly 300 pages building the town, with no real elements of horror but it had a two fold purpose, 1) you got to know the characters and the town around them, and 2) it built suspense forcing you to fear for these people's lives since you know it won't end well for at least some of them.
Although this was only King's second novel, it was crafted to such expert timing that you engaged from the very beginning. The writing is raw and emotional, much more so than the more polished King of recent books (still good in their own rite).
My two recommendations for those interested in reading this book are 1) don't let the fact it's about vampires turn you away, and 2) don't let the impressive page count intimidate you. Pick it up, and just try to put it down with out wanting to know more.
On to the obligatory rating...
Multiple Reads.
It may have taken me longer than it should have to read this book, but I'll be sure to pick it up again when I want that brand of suspense that only Stephen King can supply.
Monday, March 24, 2014
Free Thoughts 3/24/14
I recently went to a concert at the Stanhope House. It's basically a large bar that has a stage. Apparently, it's mostly a Jazz/Blues venue, but I went with my brother to see Pharoahe Monch, a rapper. And because he's a rapper, the opening acts were also hip-hop... all of them. There was 8 opening acts, each performed 3-4 quick raps and were gone. I would have much rather had 2-3 opening acts with longer sets, but as it was there was a good variety, by which I mean more white rappers in a single room than the 8 Mile movie auditions.
The M.C. of the night was also the first emcee of the night, an overweight Irish rapper with a vibrant red beard... and he was impressively good. There was also an angry ICP (look it up) reject with red and white face paint on. Even more interesting was his hype man was garbed in all black and wore a chromed out baby mask. His hype man wore a mask and couldn't say anything! Not sure they understand the point of a hype man, but I will say he provided the comedy for the night when he turned his back to the crowd so he could lift up his mask and drink from his beer while Face Paint continued with the show.
My real reason for writing about this night is to acknowledge how hard it must be to get on stage and perform your art like that. I was watching as one particularly bad performer was on stage, and despite not having a good flow or even decent lyrics, he worked the mic like he owned it with a confidence that's needed in this world of music. No matter what type of music or the size of the venue, these musicians (whether good or bad) are putting themselves on display in a way other artists typically don't have to.
Authors, we write privately, edit our own work, then facelessly submit our work online to a publisher we'll likely never meet, who accepts or rejects us in an email, usually in what's called a 'form letter', which means they basically copy and paste the same rejection they gave the previous author. Then we, as authors, make some adjustments and send it on to the publisher. Rejection for an author is a faceless infraction that usually results in a better piece after more editing.
Musicians on the other hand, have to preform face to face and look their audience in the eyes as they either cheer or boo. Even their practice rounds have to be live for feedback on whether or not their getting better or not. I practice on a sheet of paper, and if I'm not happy with it, I can crumble it up and throw it away (sorry recycle).
All this to say, I'll always respect musicians for performing regardless of quality while I sit here behind my pad and a pen.
The M.C. of the night was also the first emcee of the night, an overweight Irish rapper with a vibrant red beard... and he was impressively good. There was also an angry ICP (look it up) reject with red and white face paint on. Even more interesting was his hype man was garbed in all black and wore a chromed out baby mask. His hype man wore a mask and couldn't say anything! Not sure they understand the point of a hype man, but I will say he provided the comedy for the night when he turned his back to the crowd so he could lift up his mask and drink from his beer while Face Paint continued with the show.
My real reason for writing about this night is to acknowledge how hard it must be to get on stage and perform your art like that. I was watching as one particularly bad performer was on stage, and despite not having a good flow or even decent lyrics, he worked the mic like he owned it with a confidence that's needed in this world of music. No matter what type of music or the size of the venue, these musicians (whether good or bad) are putting themselves on display in a way other artists typically don't have to.
Authors, we write privately, edit our own work, then facelessly submit our work online to a publisher we'll likely never meet, who accepts or rejects us in an email, usually in what's called a 'form letter', which means they basically copy and paste the same rejection they gave the previous author. Then we, as authors, make some adjustments and send it on to the publisher. Rejection for an author is a faceless infraction that usually results in a better piece after more editing.
Musicians on the other hand, have to preform face to face and look their audience in the eyes as they either cheer or boo. Even their practice rounds have to be live for feedback on whether or not their getting better or not. I practice on a sheet of paper, and if I'm not happy with it, I can crumble it up and throw it away (sorry recycle).
All this to say, I'll always respect musicians for performing regardless of quality while I sit here behind my pad and a pen.
Monday, March 17, 2014
A History Of Comics From One Fan's Eyes: Part 3
Marvel
Comics and the creators behind these legendary characters that
populate their universe did an amazing job crafting fantastic heroes
that are somehow still relatable. Stan Lee, Archie Goodwin, John
Byrne, David Michelinie and countless other authors found a way for
me to relate to this character that should otherwise not work. What
was the quote from the Avengers movie? Without the suit of armor,
Tony Stark is still a “genius, billionaire, playboy,
philanthropist” four things that, despite how wise I may think I
am, I'm about as far from being as possible.
So,
what was it that at such a young age I was able to relate to? A large
part of it was that I had no idea what was really going on in these
issues aside from the action. The other factor was that I envied Tony
Stark's ability to overcome his setbacks, but also turn those
setbacks into an advantage; all the while being a an 'ordinary'
human, well as ordinary as a comic superhero could be.
Tony
Stark's greatest inspiration is taking a life threatening injury
and turning it into a career as a super hero.
|
It's
those similar qualities that I look up to Batman as well. His career
as a hero very similarly mimics that of Iron Man. These two beyond
human, yet still human, heroes give readers the understanding that we
can accomplish so much more than what's already before us; and the
tragedy of the Stark's and Wayne's shows us we can overcome any
tragedy that befalls us. Whether it's a personal injury or a death in
the family we learn that nothing can hold us back if we dedicate what
resources we have at our hands, even if we don't have multi-billion
dollar international corporations at our disposal. We need to learn
to rely on ourselves at times of crisis.
At
the time of his creation Iron Man used transistors in his armor which
were the height of technology. In his first issue, Batman used a
grappling hook to get around. As the world advanced technologically
so have these characters, ushering the advancement of other heroes in
their worlds as well. The gadgets Iron Man has used both in his
comics as well as in his blockbuster movies are on the trend of where
our real world applications are heading. The first time I remember
seeing a portable computer was in an issue of Batman, and although it
wasn't called a tablet it's easy to imagine the developers of the
tech that has taken over our lives, this 2-in-1 laptop/tablet combo
I'm writing this on for instance, were inspired by the fictional
adventures of characters like Iron Man and Batman.
Just
as the technology within comic worlds evolve, so do the characters
and creators along with them. The biggest factor that has contributed
to the longevity of this medium filled with masks, tights, and capes
is that the people behind the pages refuse to limit themselves or
their imaginations. If the public feels Superman has gotten stale and
too predictable, kill him. Sure, he was brought back no too long
after, but there isn't a person alive that considers themselves a
comic fan that doesn't have the black bagged death of Superman issue.
Readers that grew up with Peter Parker from the day he was bit by a
radio active spider, began to feel that while their lives moved on,
the hero they loved hadn't. What does Marvel do? Amazing Spider-Man
Giant Sized Annual #21, the marriage of Spider-Man and his long time
love interest Mary-Jane Watson. This issue came at a time when many
of the readers that followed Spider-Man as kids were now getting
married themselves. Again, similar to Superman coming back to life,
the Spider-Marriage was wiped from history several years ago.
Two
milestone issues that display the ever evolving medium of comics
|
This
all goes to show that while constantly evolving to updating
characters to better fit the times, as well as the technology we read
today's comics with, simultaneously things stay the same. Dick
Grayson, Otto Octavious, James Rhodes, John Walker (the character not
the whiskey), John Stewart (the marine not the comedian), Carol
Danvers, Wally West or Eric Masterson; all of these characters took
over the mantle of an established hero in an effort to evolve the
character, some with a substantial career and fan-base of their own
(Wally for Flash, anyone?). Although each of these stars relinquished
the title to the original person behind the mask (soon in the case of
Otto as Spider-Man) they each went on to carry their own long lasting
careers.
Whether
you prefer Eric Masterson as Thor or Thunderstirke, or if your Green
Lantern is Hal Jordan, Guy Gardener, John Stewart, Kyle Rayner, or
Simon Baz comics have something for everyone. Both young and old, new
reader, lapsed fan, or devoted weekly shopper, male or female,
straight, gay, bi, or unsure, there is a comic out there for you.
Hollywood and TV knows this and as long as this remains true, we'll
all have more comics than we can handle, but just maybe not as much
as we want.
Whether
you read the funny pages or watch them in the theaters, always
remember to enjoy it and come back for more.
Monday, March 10, 2014
Intro 9: The Statue Garden
One thing I've learned as an author, and have confirmed with others in this profession, is that ideas never die. It may take some time for them to resurface but they always do. Some story ideas should probably stay buried like that time I thought people wanted to read about an Arab teen's fictional reimagining of the hip-hop East coast - West coast situation at the time of Biggie's and 2Pac's deaths. Other ideas just need the proper time to germinate. Such is the case of "The Statue Garden".
My sister and her husband own a statue business, that consists of a statue garden. Now as an adult (at least in age) the scope of the plot of land isn't as impressive as it once was when I was a child, when I truly believed I could be lost in the 'maze' of statues for days.
A few years ago, after having dinner at my sister's place and seeing the statues at night, I knew there was a story there. I'm the type to sit on ideas and let them naturally develop as I work on other pieces. During this time, I stumbled upon notes I had written nearly 20 years ago (that'd make me around 11) and front and center on a scrap of paper was "The Statue Maze, a boy gets lost in a maze of statues and years later awakes from a nightmare still in that maze". As you'll notice a few things have changed, such as the character's gender, but those seeds were planted long ago.
Read on...
To find out what happens within the statue garden, read "The Statue Garden" in Cobwebs & Antiquities published by Static Movement. You can purchase the book at Amazon.com and as always in the AzarRising mobile bookstore.
My sister and her husband own a statue business, that consists of a statue garden. Now as an adult (at least in age) the scope of the plot of land isn't as impressive as it once was when I was a child, when I truly believed I could be lost in the 'maze' of statues for days.
A few years ago, after having dinner at my sister's place and seeing the statues at night, I knew there was a story there. I'm the type to sit on ideas and let them naturally develop as I work on other pieces. During this time, I stumbled upon notes I had written nearly 20 years ago (that'd make me around 11) and front and center on a scrap of paper was "The Statue Maze, a boy gets lost in a maze of statues and years later awakes from a nightmare still in that maze". As you'll notice a few things have changed, such as the character's gender, but those seeds were planted long ago.
Read on...
“Steph, I can’t believe
your uncle is letting us have the rave at his place. This is going to
be the best Halloween ever!”
“I know Kerrie. He said
his business is doing pretty bad, so he’s not worried about any of
the statues getting broken, except for the religious ones.”
Stephanie’s uncle, Don
Hoskin, was like a surrogate father while growing up since her real
father left her mom while she was pregnant with Stephanie. Don owns
the third largest statue garden in New Jersey. However, despite early
success in sales, he’s struggling to stay in business during this
recession.
Don has owned Hoskin’s
Marble Maze since before Stephanie was born, and some of her earliest
memories are from the garden. She had her first kiss in a corner of
the maze dedicated to birds; she would sneak to a section of children
statues to write in her diary under the warm sun. But all of this was
in stark contrast to her feelings of the garden at night while
growing up.
The summer when she was five
Stephanie’s grandfather, who was living with Uncle Don, passed away
from a heart attack. Out of fear Stephanie ran into the maze to lose
herself. Unfortunately, because of the commotion inside no one
noticed that she was missing until seven hours later while they were
at the hospital. Having fallen asleep beneath an angelic themed
granite bench with wings for a back support, Stephanie was woken up
by her mother’s voice. Waking up in the now lightless night put a
fright in her that she wasn’t able to shake for some time.
After weeks of resistance
Uncle Don finally convinced Stephanie to enter the maze. Although she
was only willing to walk a few feet before running out, it was the
first step towards getting her to traverse the entire maze. By
Christmas time Stephanie knew every turn and dead end in the maze and
was once again comfortable entering alone. Several weeks later she
was even willing to go in at night, but she never recaptured the joy
she once felt at her uncle’s statue garden.
It’s because of the
lingering fears that Stephanie has subdued that Uncle Don was
surprised of her request to have the party there. The truth of the
matter is that Kerrie and her boyfriend persuaded her to do so.
Attempting to ease her best
friend’s fears Kerrie tells Stephanie “I’ll make sure you’re
never alone the whole night.”
Responding to her friend
over the phone, Stephanie says “The only rule my uncle gave me was
that we had to stay away from the religious section, which he’s
going to section off anyway.”
“Seriously Steph, this is
going to be the best rave ever. I wonder what kind of costume I
should wear.”
Not fully embracing her
friend’s optimism, Stephanie cautions “We only have a month to
plan a rave for two hundred people. We’ll need a DJ, lights, and
enough ecstasy for everyone.”
“Don’t worry about the
‘X’, James can take care of that.”
Even more cautious,
Stephanie begins to question “How is your boyfriend able to… I’d
rather not know, do I?”
With a playful “Nope”
Kerrie ends the conversation.
***
The day before the rave
Stephanie is setting up the orange string lights throughout the maze,
with the aid of Kerrie, James, and Luis, a friend that she’s
oblivious of his feelings for her.
Rubbing his arms to warm up,
James complains “For years Halloween has been t-shirt weather, now
I’m freezing my ass off.” He throws down a bundle of lights
before continuing “Why are we even doing this shit now?”
“Because you’re
girlfriend told the DJ everything will be ready before he gets here
tomorrow.” Stephanie replies curtly.
“Well I hope it warms up
by then.”
The typically shy Luis
wanting to feel like he’s part of the conversation chimes in, “Not
likely, forecast calls for more of the same. But once the music
starts and the drugs take affect it shouldn’t matter anyway.”
“Stop being such a nerd
Lois, and finish these lights, me and Kerrie got to blaze.”
Defending her friend,
Stephanie angrily corrects James, “You know his name is Luis, and
he’s not a nerd for knowing tomorrow’s weather, asshole.”
“You’re right; he’s a
nerd because he still reads comics.” Being the only one who finds
himself amusing, James walks away laughing at his own comments.
“Ignore him.” Kerrie
tries to assuage Luis, but seeing the look in his eyes, she tries a
different approach. “Hey, why don’t you two go inside and get
some food ready. James and I will finish with the lights.” Aware of
Luis’ feelings for Stephanie, she hopes the alone time will help
them bond.
Trying to take advantage of
his opportunity, Luis puts a hand on Stephanie’s shoulder and says,
“Kerrie told me that you’re uncomfortable among the statues at
night, but don’t worry I’ll be here.”
Ignoring most of what was
just said, Stephanie focuses on the word ‘uncomfortable’ and
corrects Luis. “It’s not that I’m just uncomfortable in the
maze, I have a genuine fear of it in the dark. Something happened
when I was younger and I got lost in there. I wasn’t found until
after I had fallen asleep and had this horrible nightmare.” She
pauses, contemplating if she should tell Luis this nightmare that
she’s kept to herself all these years. Deciding he’s safe, she
continues, “I was only five at the time but in the nightmare I was
an adult in this body, and one of the statues came to life. This
stone man with an impossible flowing marble beard and shaggy hair had
his way with me, and instantly I looked nine months pregnant. I knew
the birth of the baby would mean the death of everyone I cared for,
so I tried to kill it. This thing was just as powerful as its beady
eyed father. Just when I was about to give birth to it, I awoke with
a shriek that directed my family to me.”
Too captivated by Stephanie
is Luis that he refuses to interrupt to interject his thoughts.
Instead he motions for her to sit on a mushroom shaped bench that
resembles something out of ‘Wonderland’ to the side of the
entrance to the maze as she continues to confide in him.
“I hadn’t even thought
much of that dream in the twenty years since I’ve had it, but ever
since we decided to have the party here I’ve been having the same
nightmare. Every night I’d have it except with slight variations.”
“Such as?” Luis asks as
he inches closer to Stephanie on the already small bench.
Not even registering his
advances Stephanie answers, “Well one night he had legs like a cat,
and sometimes he had the head of a goat, kind of like a Minotaur.”
Forgetting his own
timid-ness, Luis corrects “Actually, Minotaurs are half bull, not
goat.”
“I understand that, but
that’s not the point. You know what I meant. You need to stop
correcting people when it doesn’t matter. Anyway, more recently the
stone man didn’t rape me.” Pausing for dramatic effect, she
focuses on Luis’ eyes and continues, “I slept with him
willingly.”
More than a little taken
aback, Luis reasons, “Well that’s probably just because you’ve
grown tired of fighting this guy every night.”
Appreciating Luis’ attempt
to comfort her, “Thanks Luis, that’s sweet, but if I can resist
advances in real life I could do the same in my dreams.” Gently
patting his cheek she rises to her feet. “We should get the food
ready.”
***
That night while trying to
look up the forecast for the rave, Kerrie sees a news headline
indicating that an inmate of a nearby insane asylum has recently
escaped. “Holy shit Steph isn’t this place close to us?”
turning her phone towards Luis sitting next to her.
“Yea Hanover Township is
like five minutes away.” Stephanie answers flippantly not too
concerned with the news.
Luis looking at the picture
jokes, “This guy looks like Charles Manson with a longer beard.”
Mistaking Stephanie’s shock as a look of disbelief he supports his
theory by showing her the phone, “Come on, you don’t think so?”
Looking up Stephanie sees
the stone man that took advantage of her in her dream all those years
ago, not only on the phone but also in the window directly behind
Luis. Stephanie screams with all her might…
…and wakes with a jolt
heavily sweating and out of breath. Before she can even realize where
she is Luis storms in the room with a baseball bat high overhead.
Seeing no one else in the
room he asks, “What’s wrong Steph?”
Stammering for words
Stephanie is interrupted by Kerrie and James walking in naked except
for a blanket and sheet covering them. Their own sweat reveals they
weren’t just sleeping in the nude.
James takes the bat from
Luis hand, “Easy there Romeo, don’t touch that, it’s part of my
Furies costume.” Seeing that it was nothing but a nightmare he
leans towards Kerrie and whispers, “Come on, Sybil just had a bad
dream, let’s go finish.” He receives a sturdy elbow to his gut.
With the departure of Kerrie
and James, Stephanie asks Luis to stay in the room. “I don’t
think I’ll be able to go back to sleep, actually I don’t even
want to try. I’m scared I’ll have another nightmare.”
Exhausted from all of the
day’s work, Luis forces the tire out of him for a chance to spend
the night with Stephanie. “Sure thing, but you’ll have to keep me
up.” Hoping she takes that as an invitation for something
intimately physical.
Instead he hears, “I’ve
got an idea, go change into your costume, I’ll change into mine,
and we can model for each other.”
With his libido deflated
Luis shuffles off after mustering a weak “Okay.”
To find out what happens within the statue garden, read "The Statue Garden" in Cobwebs & Antiquities published by Static Movement. You can purchase the book at Amazon.com and as always in the AzarRising mobile bookstore.
Monday, March 3, 2014
A History Of Comics From One Fan's Eyes: Part 2
I
didn't know at the time, but choosing to buy that issue of Iron Man
#133 not only started on the sexy path of comic collector (hey, maybe
if enough people say it comics can be sexy), but also changed my life
in a much more profound way.
The
comic that started me on my path of constant near poverty, in
other words, a comic collector
|
Coming
from a large ethnic family, friends weren't something I could choose.
I was born with a great group of siblings and cousins that I will
always love and cherish. But what that meant as a kid growing up in
the USA, I didn't have what my family called 'American' friends
(regardless of their ethnicity). The first friends I was able to
choose, were from comics, and that's why even in my 30's with a
robust(ish) social life I'm proud to count Iron Man and Batman among my
friends. Granted, I don't readily promote that fact about me (except
right now with you, I'm still looking for that girlfriend that shares
my passion for comics), but I do sport a painfully acquired tattoo of
both Iron Man and Batman.
Pictures
of the tattoo don't do it justice, but if you ask I'll be glad to
drop my pants. (Did I mention the tattoo was on my thigh?)
It's
that deep connection with comics that drove me to be an author, and
although I've been writing them for as long as I can remember, I've
yet to publish my first word bubble. On the other hand, I have found
a modicum of success with my prose writing. To date I've been
published in nearly a dozen different anthologies, and have several
more planned for 2014, including a short comic in a horror anthology.
Coincidentally
enough, around the same time I was drawn into the world of spandex
and masks, I watched the first Nightmare on Elm St on tape when my
family was asleep. I know I should have been terrified, but even at
that age I must have already had that blackness in my heart that all
horror authors share. It's a corruption that twists all ideas to the
macabre, gory and demented. Thankfully, I'm able to satiate those
thoughts with my writing and I'm the normal-ish person I appear to
be.
If
Iron Man was my gateway to comics, Freddy Krueger was the drug
that got me hooked on horror
|
That
unique combination during my upbringing of superheroes and slashers
led to me creating Paranormal Detective James S. Peckman; a human
living in a world where coworkers have healing abilities and villains
work for ancient alien gods or suck your blood, if you're lucky. I've
written ten of his cases so far, and even have the pleasure of having
one published in an anthology of winter themed stories.
Attempting
to widen my writing influence, I regularly update my
blog, AzarRising,
with any various writing news and interviews. I continue to post
rejections letters I receive, in an attempt to encourage other
struggling authors and show that a rejection letter doesn't mean what
you've written isn't print worthy. In fact, almost every story that I
have published received a rejection letter prior to seeing print.
However,
to keep from being completely gloom and doom, I also post intros to
the stories that have been printed as a showcase of my work, and
hopefully also to serve as inspiration to the next writer reading my
blog.
In
another effort to spread my name, I've been going to conventions and
trade-shows with stacks of my business cards and copies of my
anthologies. I've met some wonderful people at these shows, and even
made business connections that proved fruitful, leading to additional
publications.
However,
my greatest convention memory was pure fan-boy, and not as an author.
Four years ago at New York Comic-Con while looking for a publisher to
whore myself to, I found a little nook of a booth with no customers.
But what he did have, was a display of dozens of classic golden age
issues, including Tales of Suspense #39. For those of you not in the
know, that issue contains the first appearance of Iron Man himself.
In
1963 you could have picked up the birth of a legend for only
$0.12
|
Having
not planned on buying any lofty purchases, I didn't have the
necessary money on hand. I had convinced the dealer to give me time
to go to an ATM and (following a call to my bank to confirm that I
hadn't gone insane or lost my card) added to my ever growing
collection the crown jewel of Iron Man comics.
At
that point, I had already collected ever Iron Man series issue, and
this addition gave me the new mission, of obtaining the entire run of
ToS with Iron Man. I can say with much pride, and pain in my wallet,
that I am nearly complete on this mission that began nearly 30 years
ago with Iron Man #133. A comic where the hero, and my friend, nearly
died at the hands of the Hulk.
Come back in two weeks for the third and final installment in this collector's comic history.
Monday, February 24, 2014
What I'm Reading Now 2/24/14 UPDATED
I'm about to read a book called "The 37th Mandala", and that's about all I know about the book. I even had to google the book to find out the author is Marc Laidlaw, feel like I should know this name, but I don't.
I had come across the book randomly about two years ago and remember hearing years prior that I would enjoy it. I think the phrase used was something along the lines of 'this is right up your alley'.
Unfortunately, I don't know what that means. Pretty sure my varied tastes lead to many alleys, some dirty and scary, others more inviting. Come back to to find which alley this fits in, and possibly more important, what the hell a Mandala is...
.
.
.
.
.
.
.
.
.
Wow, that's all I can say. Unfortunately, it's not a good wow. This book was painful to read, at least as far I as had made it through.
First off a Mandala is apparently the author's attempt at reimagining H.P. Lovecraft's Elder Gods (you know Cthulhu, Nyarlothep, and all those guys). The Mandala's are lies based off of myths that may or may not have been routed in truth. A Mandala is a central sigil associated with a certain spell. What a Mandala isn't, is interesting or remotely entertaining. At least The 37th Mandala isn't.
The writing is dry, so dry in fact, it renders the adventure within the story boring. Merriam Webster would have written a more engaging book than Marc Laidlaw did here. To further turn off anyone holding this book in their hands, is the fact it's filled with unrealistic characters, leaving you completely uninterested in the outcome of their lives. Readers would have been better served had Laidlaw acted as muse for a different more competent author. I only say that because typically anything with the Elder Gods is worth giving a shot; this however is not.
As if you needed this bit, but the rating is...
Despite the name of the writing, don't even bother reading the blurb on the inside of the book. I tried liking this book, even forced myself passed my self imposed 75 page limit, but still had to tap out. Save your brain cells, and skip this one.
I had come across the book randomly about two years ago and remember hearing years prior that I would enjoy it. I think the phrase used was something along the lines of 'this is right up your alley'.
Unfortunately, I don't know what that means. Pretty sure my varied tastes lead to many alleys, some dirty and scary, others more inviting. Come back to to find which alley this fits in, and possibly more important, what the hell a Mandala is...
.
.
.
.
.
.
.
.
.
Wow, that's all I can say. Unfortunately, it's not a good wow. This book was painful to read, at least as far I as had made it through.
First off a Mandala is apparently the author's attempt at reimagining H.P. Lovecraft's Elder Gods (you know Cthulhu, Nyarlothep, and all those guys). The Mandala's are lies based off of myths that may or may not have been routed in truth. A Mandala is a central sigil associated with a certain spell. What a Mandala isn't, is interesting or remotely entertaining. At least The 37th Mandala isn't.
The writing is dry, so dry in fact, it renders the adventure within the story boring. Merriam Webster would have written a more engaging book than Marc Laidlaw did here. To further turn off anyone holding this book in their hands, is the fact it's filled with unrealistic characters, leaving you completely uninterested in the outcome of their lives. Readers would have been better served had Laidlaw acted as muse for a different more competent author. I only say that because typically anything with the Elder Gods is worth giving a shot; this however is not.
As if you needed this bit, but the rating is...
Inside Cover |
Monday, February 17, 2014
A History Of Comics From One Fan's Eyes: Part 1
If recent history is any indication, we
all love comics. How else would the biggest Hollywood blockbusters
be based on the four-color 'funny pages' so many of us grew up on?
Marvel's The Avengers is the third highest grossing movie of all
time, and the Iron Man and Christopher Nolan Batman trilogies are
among the biggest franchises in recent years. Comics have even taken
over our TV screens with the recent success of both Arrow and Agents
of S.H.I.E.L.D., not to mention the countless cartoons. No matter
where you look, or what your personal interests are, it's hard to
deny that today, now, this time in history, it is good to be a geek.
As recent as seven years ago, no one would have expected it to be as big as it's become. |
I'm curious about how that started.
Not on the grand scale of San Diego Comic-Con becoming a powerful
international showcase of all things pop culture, but on a more
personal note. People always say you never forget your first, but if
you ask most comic readers they can't recall the first issue they
purchased or read.
I for one, remember with clear
distinction the first comic I bought with my own money. I still own
that very issue, and not a repurchased copy, but the original issue
that cost me less than a third of today's popular comics.
My brother had been letting me read his
comics for a couple months at the time, well as much reading as any
five-year-old does with a comic full of eye catching art. From the
beginning I had a strong fascination with Iron Man, based mostly on
the fact that he had such a crippling medical condition but still
sacrificed himself to save the world. And the cars, he had amazing
cars (I named by Big Wheel tricycle Iron Man) that every kid loved.
How cool is that now you can buy an Iron Man themed Big Wheel? |
When my brother realized that I was
rereading comics multiple times because he wasn't buying new ones, he
took me to the local comic shop so I could start my very own
collection. There was no warning of the importance of what I chose
to begin the foundation of my 'library', possibly because it
shouldn't have been that big of a deal, or perhaps there was no way
of telling how influential this moment would be on the rest of my
life, but in any case I knew I had to choose wisely.
It came as no surprise to my brother
that I was immediately drawn to the small section of Iron Man comics,
but what he found odd was that I wasn't interested in the latest
issue. I held a seven year old issue that came out a couple of years
before I was even born. In my hands was Iron Man #133, a nothing
issue that today could be found in your local shop's 50 cent bin, if
they even have it. But then, in 1987 it was like seeing a naked
female for the first time. I was filled with questions, and wanted
to see more.
The cover that started it all for me. |
The cover depicted not only The
Invincible Iron Man defeated on the ground, but also The Incredible
Hulk laid on the floor, in a similar defeated fashion. Jim Rhodes
(prior to becoming War Machine) was clearly concerned over the well
being of his friend, and Ant-Man, according to the cover he was
all-new and astonishing, stood shocked at whatever it was that
transpired. And what was it that happened? I had to know. The cover
told me that Iron Man beat the Hulk, but asked “At what cost?”,
but more intriguing to me is why would the two be fighting. To my
five year old mind it didn't make sense. Although I wasn't too
familiar with Hulk, I knew he was supposed to be a hero, and the idea
of two heroes fighting was too much to take (this was well before
Civil War or AvX) and I needed those answers.
Honestly, at this point nearly 30 years
later, I barely remember what transpired within the issue, but I do
know this issue was the start to my life long hobby, turned
collection (borderline obsession), and career. Iron Man #133 was the
first of my 30,000 (and counting) comic collection.
Monday, February 10, 2014
What I'm Reading Now 2/10/14 UPDATED
Next on my reading block is a book by one of the best comic writers in the industry today, Warren Ellis. He's the creator of the Iron Man stories that heavily influenced the feel of the movies, thus creating the Iron Man most of the public knows and loves. I know from his comic work that he crafts interesting, fantastic tales but bases them on real world probabilities.
This has made me eager to read his first full length prose novel, "Crooked Little Vein". However I'm not too sure what the book is about.
Let's see if Ellis' creative talents transfers over to prose...
.
.
.
.
.
.
.
So I can say this was a fairly easy read, i was able to finish the entire book in about a week, and I only read it while commuting. Warren Ellis' writing style really shines through the pages within the book, what doesn't come through is the content. The entire book was just a showcase of some of the most depraved sexual acts ever committed to paper, with no actual story behind the "adventure". The first day I began reading the book, I recommended it to a friend that I know would have appreciated Ellis' writing style, however the next time I spoke to that friend I took back my recommendation.
The book centers on a secret constitution that when read to an audience, it will reset the listener's moral compass. This book was then lost to history because Richard Nixon traded it for sexual services. A detective is hired to find the book so the government can fix the country with this book. Crooked Little Vein follows this detective on one sexual misstep to the next, each more and more ridiculous than the last. Warren Ellis assures us that every act and practice in the book are things he had come across in research for the book.
The sad truth is, I believe all of things in the book are actually out there, I just didn't need a map to them. That's all this is, not an adventure story, not a mystery book, but a map to sex you didn't even know you didn't want to know about.
My rating for this would have to be...
Chapter 2. I stand by Warren Ellis as an author, and will pick up some of his other books, but this one left me sour for the time being.
This has made me eager to read his first full length prose novel, "Crooked Little Vein". However I'm not too sure what the book is about.
Let's see if Ellis' creative talents transfers over to prose...
.
.
.
.
.
.
.
So I can say this was a fairly easy read, i was able to finish the entire book in about a week, and I only read it while commuting. Warren Ellis' writing style really shines through the pages within the book, what doesn't come through is the content. The entire book was just a showcase of some of the most depraved sexual acts ever committed to paper, with no actual story behind the "adventure". The first day I began reading the book, I recommended it to a friend that I know would have appreciated Ellis' writing style, however the next time I spoke to that friend I took back my recommendation.
The book centers on a secret constitution that when read to an audience, it will reset the listener's moral compass. This book was then lost to history because Richard Nixon traded it for sexual services. A detective is hired to find the book so the government can fix the country with this book. Crooked Little Vein follows this detective on one sexual misstep to the next, each more and more ridiculous than the last. Warren Ellis assures us that every act and practice in the book are things he had come across in research for the book.
The sad truth is, I believe all of things in the book are actually out there, I just didn't need a map to them. That's all this is, not an adventure story, not a mystery book, but a map to sex you didn't even know you didn't want to know about.
My rating for this would have to be...
Chapter 2. I stand by Warren Ellis as an author, and will pick up some of his other books, but this one left me sour for the time being.
Friday, January 24, 2014
What I'm Reading Now 1/24/14 UPDATED
After reading several flops that I couldn't get past, or in some cases even up to, page 75 I was tempted to reread a book I know I like. In the end I decided against this, and chose a book that was a recent addition to my list of to-read books, "Sandman Slim". The premise seems promising enough to be worthy of doing a "What I'm Reading" post on it. The main character, presumably Sandman Slim (odd name) is a magician that escapes Hell to exact revenge on the group of people that sent him there. So basically this guy never died but was sent to Hell, finds a way to get out and uses magic (either he had it before or gets it in Hell (the description I read wasn't clear on that)) to kill a bunch of people, probably also magic users. Sign me up
Stay with me to see if I stay with the book, or tap out at 75 pages.
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.
.
.
.
.
.
.
.
.
.
.
And I finished the book. Not because I enjoyed the book, or because it was written well, but I pretty much finished the book because it's the kind of book I should like.
It wasn't a bad book per se, but the major flaw with this was the author kept getting in the way of what could have been a very fun read. Richard Kadrey, whom I had never heard of prior to this book but is apparently a decently well know author, has since written an additional four novels in this Sandman Slim series, with a sixth due out this year, so clearly there is a market for his writing.
However, I found he tried way too hard to not only make the main character cool, but also to come off as cool himself. He went to great lengths to describe scenarios or action or even emotions in such a 'badass' way that it felt heavy handed. It was a case of "the lady doth protest too much". The more Richard tried to make Sandman Slim, or James Stark, seem cool or tough or badass it just felt like he was overcompensating for some flaw only he sees in the character.
Another thing that bothered me was the character's name, and the name of the book. The main character, for much of the book, didn't want people calling him by his name, because with magic knowledge of someone's name is power. I get that, it's a trope that works, and one that I agree with using. My issue with it, is that he doesn't offer an alternative. There are books/movies/shows where we don't know the main character's name and it's never used. That's fine, but here we know his name is James Stark. If we know it, it's not a mystery, and shouldn't be a major factor, however if you want to make something of his name, and it's not a secret, an alternative needs to be provided.
By now you might be wondering about the title. The name Sandman Slim isn't mentioned until after halfway through the book, and it's a nickname that James Stark received while fighting in the gladiator arena in Hell. Apparently, it means, or represents, 'the monster that kills monsters' or something to that affect. The problem with this is, other than the fact it was mentioned so late in the book, is that a lot of characters know him by this name, but he never heard of it. There's no logic in it.
All that said there is good in this book. The premise is fun, even if Kadrey tries his best to kill all of it. And although you never really feel or care of Sandman, it's enjoyable enough to watch him stumble through the mysteries before him.
There were two end scenes that are polar opposites. In the one, the main character is talking to a doctor that knows more than he's let on in the beginning of the book. And there's real emotion in the scene, and it's pretty intriguing, unfortunately it comes at the end, and is only followed by a worse scene where Sandman is approached by Lucifer himself. It's established they have some history from Sandman's time in the arena, but Kadrey successfully crafted the most boring interpretation of the devil in all of existence ever... ever. Why in the name of fuck's sake is the Devil borrowing DVDs? How do you make Lucifer, the Fallen Angel embodiment of all things evil, about as intimidating as a three legged newborn puppy? Kadrey set himself up with a great way to end the book, and instead decides for the first time in nearly 400 pages to not try and be cool.
I shan't be reading the rest of this series, but am not disappointed I've read this one.
Writing this, has made me like the book even less, so my new rating is now...
Chapter 2 = One and done. The book's premise showed potential, but the writing killed any upside before getting to the second chapter.
Reading this book I learned that Richard Kadrey suffers from an ability to execute, unless we're talking about actually executing any chance of writing an enjoyable story.
Stay with me to see if I stay with the book, or tap out at 75 pages.
.
.
.
.
.
.
.
.
.
.
.
.
And I finished the book. Not because I enjoyed the book, or because it was written well, but I pretty much finished the book because it's the kind of book I should like.
It wasn't a bad book per se, but the major flaw with this was the author kept getting in the way of what could have been a very fun read. Richard Kadrey, whom I had never heard of prior to this book but is apparently a decently well know author, has since written an additional four novels in this Sandman Slim series, with a sixth due out this year, so clearly there is a market for his writing.
However, I found he tried way too hard to not only make the main character cool, but also to come off as cool himself. He went to great lengths to describe scenarios or action or even emotions in such a 'badass' way that it felt heavy handed. It was a case of "the lady doth protest too much". The more Richard tried to make Sandman Slim, or James Stark, seem cool or tough or badass it just felt like he was overcompensating for some flaw only he sees in the character.
Another thing that bothered me was the character's name, and the name of the book. The main character, for much of the book, didn't want people calling him by his name, because with magic knowledge of someone's name is power. I get that, it's a trope that works, and one that I agree with using. My issue with it, is that he doesn't offer an alternative. There are books/movies/shows where we don't know the main character's name and it's never used. That's fine, but here we know his name is James Stark. If we know it, it's not a mystery, and shouldn't be a major factor, however if you want to make something of his name, and it's not a secret, an alternative needs to be provided.
By now you might be wondering about the title. The name Sandman Slim isn't mentioned until after halfway through the book, and it's a nickname that James Stark received while fighting in the gladiator arena in Hell. Apparently, it means, or represents, 'the monster that kills monsters' or something to that affect. The problem with this is, other than the fact it was mentioned so late in the book, is that a lot of characters know him by this name, but he never heard of it. There's no logic in it.
All that said there is good in this book. The premise is fun, even if Kadrey tries his best to kill all of it. And although you never really feel or care of Sandman, it's enjoyable enough to watch him stumble through the mysteries before him.
There were two end scenes that are polar opposites. In the one, the main character is talking to a doctor that knows more than he's let on in the beginning of the book. And there's real emotion in the scene, and it's pretty intriguing, unfortunately it comes at the end, and is only followed by a worse scene where Sandman is approached by Lucifer himself. It's established they have some history from Sandman's time in the arena, but Kadrey successfully crafted the most boring interpretation of the devil in all of existence ever... ever. Why in the name of fuck's sake is the Devil borrowing DVDs? How do you make Lucifer, the Fallen Angel embodiment of all things evil, about as intimidating as a three legged newborn puppy? Kadrey set himself up with a great way to end the book, and instead decides for the first time in nearly 400 pages to not try and be cool.
I shan't be reading the rest of this series, but am not disappointed I've read this one.
Writing this, has made me like the book even less, so my new rating is now...
Chapter 2 = One and done. The book's premise showed potential, but the writing killed any upside before getting to the second chapter.
Reading this book I learned that Richard Kadrey suffers from an ability to execute, unless we're talking about actually executing any chance of writing an enjoyable story.
Monday, January 13, 2014
Creator Interview Pete Hernandez III
Not too long ago I had hosted an author interview for Ed Ahern. I had enjoyed the process so much, that I decided to continue hosting interviews. Today we have Pete Hernandez III creator of Company Man, and an all around good guy. (I'm hoping to butter him up for future collaborations...) On to the good stuff.
AzarRising: There's a large cultural and national diversity in your work, was
this something you intentionally pursued, or random happenstance?
AR: On a similar topic of doing everything yourself, you've also at times
collaborated with others. Which do you prefer, creating an idea
and seeing it come to fruition with your own two hands, or working
with someone else and creating something you wouldn't have been able
to do on your own, at least not in the same way?
PH3: I’m
Puerto Rican-American, that’s it. The Native mag thing came about
because I did some work with a Native American record label a few
months back, helping them find new talent and doing some graphics on
the side. They offered me some adspace as a thank you.
Pete Hernandez III (who else would it be a pic of?) |
Pete Hernandez III: Completely
intentional. One of my main goals was to present ethnic heroes in
situations normally reserved for white heroes but without being
preachy. Most times when a comic tries to present an ethnic
character, like a black hero or even rarer, a Latino hero, they take
a very clichéd and uninspired approach.
I wanted my heroes
to be from different cultural backgrounds but not throw it in the
reader’s face like “Hey, respect this guy because he’s Indian
or Japanese or I’ll kick your ass!”
I just want to write
good stories with characters that aren’t all white. No offense.
AR: For your personal projects you seem to take all the responsibility on
yourself (writing, drawing, coloring, marketing, etc) is there any
one aspect you enjoy more than the others?
PH3: If
I had to choose I’d pick writing and coloring. I’ve learned to
respect inking and lettering A LOT and I enjoy penciling but adding
the final touches and FX is always the most fun. It brings the flat
film together for me.
Marketing
is a pain in the ass and can bring on major stress. I do it all
because I have no other choice at the moment. I’ve tried working
with others in the past but most people talk a good game without
knowing how to buckle down and get the work done. Everyone enjoys
brainstorming and imagining what it’ll be like at a con and all
that shit but I’m focused on getting the work done and partying
later.
Way
too many guys I’ve met know how to talk a good game but when it
comes to hard work they fold like wet paper houses.
Star of Company Man, Nicholas Reyes |
PH3: I
love collaborating when it works more-so than working alone. I work
alone out of necessity than desire. The trouble is, as I mentioned
before, most people have a garbage work ethic and can’t carry their
own weight. I have a house full of electronic distractions and know
how to ignore them and dive into Photoshop.
Working
with others can be exciting and fulfilling as well as healthier for
the mind. My ideas come much faster when bouncing off of someone
else.
AR: I think it's fair to say comics are a large part of your life, do you
remember the first comics you read, or what comic it was that hooked
you?
PH3: It’s
hard to say but I think Ghost Rider and Daredevil were some of my
first comics. As a kid I was drawn, like all adolescent boys, to the
more violent stories. Back then, with the Comics Code of Authority in
place, it was rare to find a comic where there was bloodshed or
profanity. Blood, in fact, was always in black up until Frank
Miller’s Wolverine mini-series where he got around the CCA by
having the blood reflect in Wolverines eyes when he killed the
master.
I’ve
been reading comics for 30 years. Much less now than ever in my life
but that’s personal. I just feel I’m seeing the same plots and
gimmicks over and over, the same re-hashed storylines and the same
cheap death tricks.
Comics
look better now than ever before but writing wise, most of the stuff
out there is whack. Still, I can’t stay away from the art and the
rare well-written book. I’ll always read comics to a greater or
lesser degree.
AR: When did you know this was your calling?
PH3: I
always knew art was my thing, my reason for being, since I was about
five. I drew on anything when I was a kid, from loose leaf paper to
toilet paper. Nothing blank was safe from my scribbling. I never
really thought of doing my own comics until about ten years ago. Up
until then I freelanced all over the place; from Time magazine to
Colgate-Palmolive to USA network and more.
At
some point around 2003 I just got sick of busting my ass to make
other people’s dreams come true and got serious about making my own
worlds come alive. Telling my stories my way.
AR: You recently had an advertisement for your comic "Company Man"
in a Native American magazine. With the last name Hernandez its
not the first venue one would think of. Are you Native American
yourself? If not, how did you linking up with them come about.
Said Advertisement featuring Johnny Juice and a digital copy of Company Man |
AR: Personally, I'm still looking for a friend with a finished basement I
can mooch off of, because so few of us in the arts are able to
support ourselves with what we love. Do you have a 'regular'
job to support your art habit?
PH3: I
do freelance graphics for a living to compensate for not making a
mill off comics. I write on the side for other outlets as well. I’d
worked shitty 9 to 5 gigs most of my life until I got serious about
freelance and haven’t worked a solid day gig since 1994. Don’t
miss the office bullshit or the commute, just the steady bi-weekly
pay but you have to lose something to gain something and piece of
mind is worth more than any check I ever received in the past. I
don’t have to get up at 5 am and spend the day taking shit from an
asshole boss or dealing with insecure people looking to advance
themselves by throwing me under the bus. Bad lunches, too much
stress, bottled anger…nah, I don’t miss any of that. One of the
most often expressed sentiments by people on their death bed is; “I
wish I’d gone after my dreams and lived my life my way.”
When
I die that’s one thing I won’t regret.
AR: Where can people find your comic?
PH3: If
you have a Kindle you can go to Amazon via this link and grab a few
issues http://www.amazon.com/-/e/B00D5TGQ7Yv
Or
you can go to my Company Man site and grab the issues for 99 cents
each at www.companyman.goofeesnax.com
If
you want to hire me for some work visit www.goofeesnax.com
or friend me on Facebook @ https://www.facebook.com/petehernandezIII
I’m
also on Twitter, though I don’t know why, @companyman01
Sunday, January 12, 2014
Ongoing Giveaway
At this time, I'm still looking for new followers, so I've upped the ante for the race to 50.
Once I've reached 50 followers, all names will be entered into a virtual hat and 5 will be chosen at random. Those 5 winner will receive not one but five anthologies I've been published in to date.
That's right, better than a $5 footlong from Subway, you'll receive five well crafted anthologies containing a tasting of yours truly.
Enjoy
Monday, January 6, 2014
New Year: Same Excuses
I was never one to give much credence to New Year's Resolutions. To me they seemed doomed from the start to fail. If you need a resolution to save more money, you clearly have a larger issue at hand that's already out of your control. You shouldn't have to rely on a particular date to begin a diet if you're not happy with your body. And if you have to rely on a fake promise to yourself to be more productive with whatever it is that concerns you, your heart clearly isn't in it.
This is why I've never really made resolutions, and I'm not about to begin now. But, however, nonetheless, anyhow, howbeit (didn't even know that was a word) I will make an attempt to write a new post every week. And not just for this year, but for as long as this blog is up (cue 52 week countdown for destruction of the internet)
Even though this is a free site, I feel you deserve a better, more consistent experience. I've already got the next two week's posts planned so that puts me ahead of the curve.
All that's left to say is; lose that weight, save that money, and do that work, and of course keep reading and as always enjoy it.
This is why I've never really made resolutions, and I'm not about to begin now. But, however, nonetheless, anyhow, howbeit (didn't even know that was a word) I will make an attempt to write a new post every week. And not just for this year, but for as long as this blog is up (cue 52 week countdown for destruction of the internet)
Even though this is a free site, I feel you deserve a better, more consistent experience. I've already got the next two week's posts planned so that puts me ahead of the curve.
All that's left to say is; lose that weight, save that money, and do that work, and of course keep reading and as always enjoy it.
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